Getting Caught Up On the Big Basket Series

Gather Ye Roses is the first finish of the year! Yay! This quilt is the first in my big basket series, but somehow the last to be a true blue finish. For some reason, I was intimidated at the thought of quilting all that 'blank' cream space around the basket. After stitching on the other two though, then it all felt so much easier. Amazingly enough, procrastination does occasionally pay off...

These quilting lines are 'eyeballed', not carefully
measured out for accuracy and precision....

And though I liked this quilt, it had become the least favorite of the three. Why in the world? It looks ever so better with the hand quilting than it did as a quilt top! Not sure why that continues to be a problem for me after so many years, under-appreciating the effect that quilting texture can just generally bring to the table. A quilt top can look so well..., lifeless before the quilting. There's just no comparison and really, no possible way to imagine the entirety of the final results.

Gather Ye Rosebuds the first finish of 2020!
Big Basket #1

The whiter areas of the basket handle continue to amuse me. Should there have been an extra stitch or two down the middle of the basket handle in order to dull all that brighter area? I decided not to, time and again. Second guessing just gets tiresome. I decided that it makes for an extra interesting element, having the basket handle fade in and out of the background. In years to come, it will no doubt become another one of those 'what-was-the-quilter-thinking?' questions we all love to ponder.

Gather Ye Roses. Or whatever else flower you might love...

I quickly figured out that making large baskets for a centerpiece would create all sorts of problems in the border areas. Proportion, proportion, proportion! I emphatically did not want these quilts to all be king sized! In the first quilt, I kept to a simple, much smaller basket block repeat on two sides. The purposeful asymmetrical look resulted from adding 1. a different color border on two sides, 2. a larger border width on those two sides, 3. a distinctively different design application in the break from blocks to applique vines. Easy peasy, but yes, involving a lot of different design decisions.  Should do this more often. Love, love a good asymmetrical border application....

A few little flowers in the baskets...

Working with an asymmetrical design idea also totally ended the dilemma of what to do about a long gawky basket surrounded by too-narrow borders. Which just made the basket look even more awkward and weird. So what to do? More borders? One fabric add ons? Ugghh.. I just wanted it to look interesting and somehow maximize the effect of the super large basket. Seriously though, all along I was hinging the entire success of the quilt on the hope that the final quilting stitching would create important depth and texture there in the centerpiece. So, so happy when that came to fruition....

It's hard to tell from the pictures, but all the brown in the applique area is made up of several different brown fabrics. Very subtle difference, but something that I find much more compelling than using all the same fabric. From a distance, the change from medium to darker brown creates depth and movement in the quilt, and close up, it just gives it that utility 'make-do look'. In my opinion, that adds to the sneaky charm of this quilt, the overall coziness, not having everything come off as matchy-matchy.

Possible rosebuds on the vine?

Of course, the fact that I didn't actually have enough brown fabric in any one piece of yardage helped make those decisions come about more easily. However, if it was a truly awful idea {after carefully auditioning whatever there was available from the stash}, I do know where the fabric store is. Rare though it may be, I have taken that option once or twice before in my life! How much more rewarding {for me, can't speak for you!} to find a good use for fabrics languishing away in the stash totes. 

Mixing several different blendy-type, printed fabrics that have a similar color feel to them is a puzzle, but being able to totally use them up and maybe even have to search out more feels great. I love it! I mean, it's not like you'd actually consciously build a quilt around these fabrics, right? Ahem, yeah. Quick disclaimer, I might actually starting to do this very thing, just for fun? lol  For example though,  the brown fabric with the tiny white flower on the corner of the quilt was a 90's look print that I had been trying to use up for years. Why toss the idea of finally getting to use it, when it's an absolutely perfect match for this particular quilt? Oh, there's obviously not enough, bummer. Guess we'll give that idea up. No! Find some fabrics that play reasonably well with that one wonderful print  and make it work. 

Nothing helps out a red, white a blue quilt better
than the perfect amount of brown...

The sweetest thing about this quilt might be the words with the red flowers nearby. Not all the flowers are rosebuds of course, but the sentiment still makes me happy. Words to live by! The binding is several random lengths from the leftovers binding tote and a couple other scrappy pieces of red fabric that blended well. So easy to go scrappy on a quilt like this. Although it never really, truly reduces the sheer amount of leftover binding lengths does it?  Not in the long run. No matter how much I kid myself, there always seems to be just a little bit leftover to dump straight back into the tote.*sigh  Maybe it's like sourdough starter....

That soft, striped homespun was a bear to work with
but looks so good in the background position!

So there you go. That's the sum total of the Big Basket Series {thus far}. Gather Ye Rosebuds was the first Big Basket in the series to be a completed quilt top, but the last one totally finished up. Improv. Woven Basket, below, was the second quilt top and the first one totally finished up.

Improv. Woven Basket, Big Basket #2

Big Tipsy Basket was the third in the series and the second one to be completely quilted. It's interesting to see the overall comparison at a quick glance. The first quilt was started in 2016 on an impulse {really had no idea that I even wanted to make big baskets}, and that quickly led to the idea of series work. Kind of impossible to stop at one! There was supposed to be a fourth quilt, but somehow that particular idea never got off the ground floor. 

Big Tipsy Basket, Big Basket #3

Never say never! When Jolene shared her beautiful Tribute To Gwen Marston basket quilt earlier this year, it definitely got me thinking again. Hmm... Maybe. Maybe? I might just one more big basket quilt in me. Or two. The series is only over when I say it is.....

Moving Things Forward

I am always uncertain about committing to any QAL involving finish-it-up goals. Frankly, it sort of panics me, which sounds very odd as I actually do finish things occasionally! But... Meredithe is a great friend and her '17 in 2017' sounds very no pressure. Thanks to Kyle I had access to a nifty little pdf and so now, after much pondering, here is the list.

17 in 2017 QAL

After perusing the other links, I noticed everyone has their own way of listing the projects.  Mine is simple: #1-11 are quilt projects still currently ongoing. The only really dusty one is 'Shattered', and I totally credit Meredithe for helping me dig that one out. #12-17 are completed quilt tops that hopefully will become a full fledged quilt sometime this year. Along with others of course, but I can't know exactly which quilt tops I'm in the mood to get started quilting. This leaves me lots of wiggle room!

Vintage Coxcombs

In the meantime, I've been trying to be very disciplined about not starting a new quilt project just yet. Tho I am itching, itching, itching to do just that! My tentative plan is to get three of my eleven ongoing projects to the completed quilt top stage before allowing my greedy self to jump into something new and shiny. Lots of applique work here, so I need to get cracking!

The quilt above, 'Vintage Coxcombs' includes 20 blocks. {Because I am insane and don't know when to stop.} Most of the background blocks are sewn together in similar, but different looking fabrics, pieced together as the leftover bits dictate. Since I mostly buy fatquarters, getting 20 similar background blocks can be complicated at times, but I love the look of this way versus made up of all of one fabric.

After I complete appliqueing the coxcombs to the oval shape {done!}, then next up is the possible star background. I'm going to do a test block to see if the triangles are large enough and proportions work out properly. This is the part I hate--thinking the triangles look perfect as is which would means re-cutting and adding the seam allowance once again. And yes, I've already cut out ALL of the triangles for 20 blocks.*sigh Thus the test block. I've been fooled once before.

Chunky Crossroads

Don't judge me by my crinkly looking applique, It's all coming along rather nicely! Two borders out of four down with two to go on the Chunky Crossroads improv. quilt. I ended up adding the fat looking flower buds as it just looked too barren without. I'm still a little {okay, a lot} waffle-y about whether the quilt sincerely needs the applique borders or I'm just indulging myself. Ahh... Self doubt. Always there to rain on our parade.... Too, I get kind of jumpy after sewing the same exact thing for hours on end and usually make myself a bargain or two just to keep going. It helps to have perspective and not let sheer tedium come up with our answers!

After completely two borders, then I gave myself permission to go straight to work on the 'Gather Ye Rosebuds' quilt which includes the  Big Tumbler Basket and a whole bunch of smaller baskets. It's going to be an asymmetrical quilt with a vine running down the left side and across the bottom before connecting with the text block on the right side. I'm trying to do as much applique as possible before joining it to the larger basket and thus making a big 'ol awkward mess to do my stitching on. Lots of work to do here, but then I'll probably jump back to the Vintage Coxcombs test block before yes, you guessed it! finally diving back into the Chunky Crossroads borders once again. I really do like to mix things up and having smaller goals helps keep me on track for feel-good finishes along the way. Hey, whatever works!

Gather Ye Rosebuds

And of course, there's always a quilt in the hoop around here. The middle portion of this quilt is finally done and next I'm going to be starting in on the outside two borders. Last night I marked off a simple grid pattern and with stitching one or two frames an evening, this could be done by the end of January!

Geese Tracks & Black Shadow Applique

I put this particular quilt off for a long time as I just wasn't 'feeling' it. And honestly, it took getting the entire geese-tracks/applique section getting stitched and finally working of the basket quilting before I finally settled in and started loving it again. So funny. I've always appreciated this quilt, enjoyed working on it so much and then when it's time, I can't feel the love while starting to quilt it.

But that's the way quilting works with me. I often have to reconnect. Just the steady stitch, stitch, stitch, hearing the needle slide in and out, staring down at the quilt, remembering the whys and wherefores. It all works to remind me of what's so great about quilting. This quilt? I'm the one making it, but it has a few fabrics from my grandma who was a quilter too. Just another in a long line of 'makers' allowing the work of quilting to quiet and soothe our {often} worried and troubled minds. I can tell--this quilt's gonna be a keeper...

The Latest AHIQ Stuff Going On Around Here

Just a quick round-up of the latest AHIQ work being done around here. No improv. piecing at the moment as I am mired in hand work. And no, I'm not the least bit upset about it! Chunky Crossroads below is moving on, gaining a border. All the prep work is sooooo tedious, but it is what it is and applique work cannot seem to exist without some effort.

Chunky Crossroads

That interesting border motif was inspired by a 'Mad About Folk Art' book {by Gerry Kimmel}. I found this oldish book in a collectible-type store bargain bin early in the year. Hello! Come to mama! My mind is busily considering whether or not the open leaves need a little addition of color--perhaps a round little flower bud instead of the single fabric print suggested in the book.

Improv. Wheels below is what is left of my improv. pinwheels, straight out of the Sujata Shah book that I can't seem to put down. After all the centers are sewn down, then we will start getting serious about a layout. I'm really hoping to keep the slight vintage feel to the blocks so probably won't get too crazy with the setting.

Improv. Wheels

The Tumbler Big Basket 'centerpiece' is all set, ready to go forward as well. I lumped it in with the other AHIQ projects because of the tumbler block experiment. Such an improv. attitude to take a full sheet of 'piecing' and cut it up! With the basket stitched down now, it just barely needed that little bit of 'framework-type' border to make me happy--set the stage for the rest of the quilt. And yes, it has a lot of open space around that big 'ol basket. Something I can work with later if turns out to be too white and bright!

Big Tumbler Basket

All these smaller baskets will be sewn onto the big basket {top and right sides only}, and are now totally completed. Would you look at that? A couple of them even get an extra pop of applique in the guise of a cheerful little flower. I know. Just can't seem to stop myself....

Little Baskets

Then I'm thinking maybe a long flowy vine thing down the left and bottom of that big basket. Hopefully with some roses and rosebuds too? I keep drawing lots of berries in my vague 'what-if'' drawings, then remember that no, this particular vine seems to need more of a flower shape. Do you ever do that?

The little block below is what I'm testing out for the bottom right corner of the quilt. Sort of a 'title or introduction' block for the quilt. I do love words on a quilt. So yeah, if the vine side of the quilt ends up being slightly wider than the little baskets, the entire quilt will present slightly asymmetrical. If all works out as currently envisioned of course!

Gather Ye Rosebuds block ready to applique

And the Improv. Woven Basket has been left on the wall. Still pondering border ideas so as to make that quilt larger without losing any of the current charm. It's something I worry about because little quilts are not nearly as 'usable' around here. I find myself constantly trying to push all these quilt projects into something more efficient for the long term, because in my world, quilts need to be well appreciated to make this all worthwhile!

So..., lots of applique work in the queue before moving on with any of these projects, but it's usually very intriguing to push through the steps. Right? Gotta love this wonderful process in quilt building: What's next? What works? What color? What shapes does it really need? My mind as always, is constantly working in the background, making those wonderful connections that can {hopefully} lead to a better, more individual, quilt.