I often feel like I'm flittering and fluttering from project to project, much like a butterfly, never sticking for the long haul. Then, slowly but surely I begin to see things start pulling together and wowsers! Why should I do things any different when it's mostly working out for me? Besides, it's so much fun to play, don't you think?
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| Testing out a center applique idea |
This summer-y looking set of pinweels is a result of starting in on another one of Sujata Shah's block sets in her 'Cultural Fusion' book. I haven't gotten very far. Mostly because I mixed things up and am working with 5 fabrics per block set, not 4. Which incidentally makes balancing the colors a challenge. Not sure where it's going or how excited I am with it, but I'll say it's growing on me. I absolutely love the addition of the vintage floral fabric. Trust me when I say that it
does add depth to these funky blocks.
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| Wonky Pinwheels |
And then I just couldn't resist any longer. This strings project has been nagging at me for literally
months, so what's a girl to do? I went back to my book 'The Improv. Handbook' by Sherri Lynn Wood and refreshed my memory on how string sets might be formed. Yah, yah. Recommended to use the complete width of your yardage....
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| Improv. String Sets |
Oh, I just
balk at trying to cut 42" strips in any freehand sort of way. {Pretty amazing that I even had anything larger than a fatquarter!} But my mind sort of freezes up and says 'no!' Not enough room at my cutting counter and I do so hate moving fabric while in the midst of cutting. So I simply folded the fabric in half and then once the 21" length was cut, I sliced the narrow end off. There. That took care of the {worst of it} weird ripply off-bias result quite well and no time lost trying to maneuver partially cut fabric masses.
I made sure to add enough strips on the horizontal {me thinking ahead for once} so that each strip set would result in two 8 1/2" string blocks. Which I promptly stuck on the wall and admired as a potential basket. Oh yeah! First part of this particular mission accomplished--just as soon as I sew them all together. And all the leftover strippy pieces can be revamped into the basket handle too. What's a basket without a proper handle? Sorry about the bad color in photo below. Too much direct sunlight I suppose?
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| A new large basket emerging |
And because I know you're all wondering, here's the all-sewn-up version of my Chunky Crossroads quilt--yet another set of blocks sewn from the Cultural Fusion book. Plain and simple but with so very much spark.*sigh Believe me, I was a teensy bit worried about that concrete gray dulling everything down! Love the imperfect matching up of each crossroads blocks in the corners and those limey greens--just yummm....
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| Chunky Crossroads quilt top |
But you know it's not finished until the applique genie has made the final decision. hehe Yes.... that's right. I'm contemplating adding on a border with some, gasp! applique details. 'Cuz that's the way my mind operates and really, it makes me happy in a folksy, primitive, quilty sorta way.
Okay. That's my
Adhoc. Improv. wrap up for the month of August! I had to smile at
Ann's mention of the 'need to quilt'. Such a real thing for so many of us! And taking off on that theme, have any of you read the latest installment of the
derivative work discussion going on in blogland? I am personally enjoying the
refreshingly,
frank look at how all of us {as whatever genre of quilters we happen to be} inspire and are inspired by others--regardless of the increasing
dictatorial narrow view of the current 'modern' quilt leaders. Playing with fabric is what we do. There's bound to be some crossover and eventually, if we're dedicated and serious about our passion, a bright new spark of originality!
