Popping In For a Quick Update!

 May has always been a busy month for us, but this year I made it worse. For reasons that totally made sense at the time, I scheduled a week long trip (leaving the end of April) to visit my oldest daughter in Oklahoma.

Loving the colors!

With everything that needed done before leaving, I had little to no time to post my latest quilt finish, AHIQ Hourglass. Plus it needed washed up so the crinkly goodness could shine!

I think this one is a winner

After I got back home, then there was all the laundry for me and of course, my husband who still needed work clothes etc. etc. Can you believe that he also managed to clean out his work truck and find about 10 sweatshirts that needed washing? 

Still liking the pieced sashing look

I took a couple hand work projects with me on my visit, but honestly, we were just too busy chatting for quilting to take priority. My daughter has a new house in a new town. Barely been married for less than a year. She's a Washingtonian transplant to the midwest. Trying to figure out how to budget in an exploding economy. Sooo much to talk about. And we loved every minute of it!

A tiny bit of a fabric bleed but not enough to ruin it

It's terribly hard to live so far away from our children. I mostly hate it. But... it's wonderful to see them living their best life in spite of the very real homesickness that comes along with the distance. One of the hardest thing to do as a parent is to teach our children how to get by without us.

Will probably have to keep this one!

Now I'm home, after a brutal midnight flight and then the additional 3 hours driving home. There's been non-stop busyness ever since 'cuz, ahem! my husband really doesn't love trying to get along without me! lol  Our big camping trip is coming up at the end of May so now I'm trying to organize and prepare for that. Will try to post more quilting stuff in the weeks ahead, but who knows? I don't seem to be nearly as good at multi-tasking as I used to be.

Having oodles of fun with my Mothers Day money

One of the highlights of my trip was 'The Quilting Studio and Fabric Mercantile' in Tulsa Oklahoma. Ahhh... I was like a kid in a candy store. It's been so long since I've bought any new fabric! Such a lucky pick when I was determined to only hit one store. The only thing I didn't like was the fact that they kept pushing quilt kits at me. Hmm... How to answer without sounding rude? My daughter and I settled with 'I kinda do my own thing'.*wink

Last night saw me finally getting in a few minutes at the sewing machine and of course I'm back with the hand quilting in the evenings. Who knew a quilting callous could disappear so quickly! 

It Feels Good To Be Making Progress On Something

I actually managed to get quite a bit done in spite of the fact that we had a busy, busy Easter weekend! I went ahead and added a very small coping border between the main part of A-Tisket-A-Tasket and the red hst border. 

A-Tisket-A-Tasket getting a border or two

I'm pretty sure there will only be one more border, of much larger red and gold hst units. It's all cut out and ready for sewing, just need to find the time. Super happy with how it's turning out though. That lighter yellow/gold just made everything shine! So weird because I had dismissed the idea earlier thinking that color would fade into the bottom part of the baskets too much and totally ruin the look. 

It's the whole kit and kaboodle. 61" square

I also managed to keep working on Country Stars. It was sooo tempting to put it up for a good long sleep, but I was not too sure that it might never see the light of day again once that happened. And I do want to get it finished up and gifted sometime this year!

It doesn't look like much, but it makes the quilt look better

I took the larger leaves in the middle of the applique and cut into them again. This time making into flowers with a red bud. It's all so much better now. Then I went ahead with the little stacks of berries, mixing up the colors. Red didn't look right and neither did pink, so I combined the two. It's still not a fabulous top, but overall I'm satisfied. Especially after all the applique was finished up {I thought} and on a whim, decided to sew the darker brown cross circle over the center compass block. 

It's applique and that's important sometimes, to
some people...

It just finished it off in a way that I can quit stressing about now. And I'm sure our friend will love all the little details eventually. It's really not easy to work on a quilt where the connection was never really there in the first place. But I did it. Got all the hand work done and dusted. Now I just need to take a deep breath and find time here this coming summer to get it sandwiched and pinned, ready for quilting!

Getting ready to hand sew the binding

Got all the hand quilting finished up on the AHIQ Hourglass quilt. Would have been done sooner, but the backing fabric was a heavier, tighter weave than I normally work with, something my aunt gave me awhile back. I love all the freebies, but occasionally it's nice to use something that wants to work better with a needle!

Almost ready for the hoop!

Next quilt in the hoop is the HaHa quilt. So crazy, it's been almost four years since this has been a completed quilt top! This one has been such a very long time getting in the hoop. It took over two years to even make quilt top stage. Some quilt tops are just plodders I guess. I don't know what to say except that I've just had very mixed feelings about this quilt from the beginning.

I really do like these words on the quilt

Love it and I well, worry about it. It's been too solid fabric-ish, too white, too many disparate elements, too much, too much. And I had zero ideas about how to hand quilt it until a couple months ago.

The ric-rac borders around the blocks are still a fave too

When I suddenly thought about stitching scallops over the center part. Huh. Maybe that will be the thing to make sort of 'make sense'. I went with the cardboard, make-it-yourself template since the plastic template sheets are so expensive these days. Didn't want to ruin a whole sheet experimenting. Anyway... It's not gonna be perfect and you're gonna see where I adjust, adjust, adjust the design. 

Home-made template for the win

Which might actually make me like it better. There's just something about it not being absolutely perfect that sorta calms me down and puts a smile on my face. Onward ho!

These girls.....

And here's a recent picture of our granddaughters. We had an enormous amount of fun getting to spend Easter weekend with them. I mean, we are The Easters, so it's always been a special holiday.*wink  Loving how chunky little Ellie is getting and how chill she was with us even though it's been months since we've got to squeeze on her. Like my father-in-law always said, if we'd have known how much fun grandkids were, we would have been sure to have them first..... 

All the Hiccups in the Process

The Big Kiss quilt is totally finished up now! This one was started back in 2020 mostly because I could not resist the siren call of the simple, graphic design. 

The Big Kiss quilt is finished!

The top was complete {I thought} in about June of that year, but then, it just wasn't. I fiddled around with idea during the following January and then, finally got to true-blue quilt top stage by April. 

A little applique can go a very long ways!

Anyone who knows me understands that a quilt top has to be 'just right' before I can rest easy. And now it has a lot more of ME in it, I totally can.

Keeping the stitching simple as usual

I went with a very basic stitching pattern in those long strips. Totally copied Clare because it just made sense to keep things simple. The more that I stitched, the more I fell in love with this cheerful, happy quilt.

It definitely has the cozy vibe I usually shoot for

It always seemed kind of like a step-quilt instead of the real deal if you know what I mean, but now? I'm thinking it's all coming together just the way it was always meant to be.

Can't even hardly tell where the fabric was pieced

It's been really challenging over the past couple years to pull fabrics just from the stash totes and hardly ever buy anything new. Sometimes I feel like I'm thriving in this make-it-up, make-it-work sort of effort. The creativity is going gangbusters and good quilts are being made.

Using it up on the back

Then, at other times, I look at the available fabric and sort of die inside. What in the world is this garbage and what possibly good can come from that? But yeah. I'm sort of digging in and definitely not giving up. For instance, that batik fabric really did get used on the backside of the Big Kiss quilt. Uh huh. On over half the back in fact. Yep, I did soak it in boiling water {thanks for the tip!} and that helped soften the fibers. Also bled out a whole lotta black dye so now it looks more purple {in the soaking water thank goodness}. Whoopsie daisy! Now it doesn't match and blend quite so wonderful anymore.

AHIQ Hourglass quilt top

I'm sure the people using the quilt in the future will totally turn up their nose at the quilt and think it's 'not good enough'. 'Cuz that's clearly what all users of awesome quilts do.... And I'm still gonna make awesome quilts even if they are a different kind of awesome because of those self imposed limitations. Can you tell that I was a teenager in the 80's?

Time for the quilting stitches to commence!

The AHIQ Hourglass Tulips quilt is the next up for quilting. I am so loving the raspberry pink in the hoop! Just makes me feel happy to be stitching on it. It seems so basic, I should be able to plow through this one in a week or so, right? But no. It will probably be a good three weeks to a month like all the others. 

The strangely appealing blend of green blues, pink and olive

Kind of funny that I'm doing the hand applique for the cut-out tulip shapes from behind that AHIQ quilt right now. Kind of a compare and contrast thing. It's a really interesting color palette that I'm experimenting with, all the funny, old green/blues. I took the stack of fabrics and tried to use all the bits that I could in the block backgrounds. So much work but always something that I enjoy seeing in the finished product. These lanky tulips will obviously have their very own vibe and that's a relief. I can tell you that I'm still consciously {and unconsciously} dreaming up ideas for other tulip quilts, and actively working on them only makes it worse. It's probably starting to be a condition.

Still working at the applique ideas

Still playing with the possible applique for the Improv. Strip Quilt #2 Blue too. I know what some of you were saying about it looking fine without the applique, the quilting stitches filling in texture later on etc. Uh huh. Yep. I totally agree. But the thing is, it just doesn't feel like a me quilt for some inexplicable reason so I can't leave it alone. Just can't. 

Putting the flower shape inside an oval shape and then shortening the stem helped a lot, as did flipping the leaves so the tips were pointing down. Then it looked like it was sort of plopped onto the quilt top and soooo of course I had to make scallop shapes to over-compensate. And now we're cooking with Crisco! Totally feeling that glimmer of satisfaction of an idea starting to bloom. Such a hideous fabric with all the starfish and other fishy things on it. Uggh. Can't even believe it will do the trick, but the color was perfection for what was needed. Am thinking this is the real deal but we'll see after some more time spent simmering.

Kind of a county fair look

Got the main part of A Tisket-A Tasket quilt top put together. Now I will be pursuing borders. I mean, look at it? It doesn't have that I-am-completed look at all yet. Terribly hard to get a good picture of this one as the colors are so yellow-brownish it looks dull very easily. In actuality, it has a soft, down to earth vibe that feels somehow restful but cheery. I know, totally contradictory. Gonna have to trust me on this one.

Putting the quilts out there for stitching inspiration

And that's it for the quilt wrap-up for the last week or so. The bags of quilts are what I took to the last quilt meeting for people to look at in terms of quilting stitches and also, thread colors in use. One of the younger gals asked me to bring examples and it was a lot harder to put together than you might think. Once I started pulling quilts off of shelves it seemed that they all just sort of looked alike. At one point I threw my hands up in despair and told my daughter it seemed that all my quilts were practically identical! 

Hmm.. Maybe that's because I tend to use the same color palettes over and over until I get it 'just right'. Or I continually play with limited color palettes or softer hues. Maybe because I take the cast offs and cut outs from previous projects and dive right into the next quilt? Do basic hand quilting on all the finished quilts? Or perhaps it's because I've worked and worked for years, trying to get my voice inserted into every single part of my quilts. Yeah. It could really be just that simple.*whew! I was starting to think things were getting starting to get boring around here.

Seriously though, as crazy as it seems, it took me a couple days to work through that conundrum. It didn't help that I was right in the middle of perusing all my gathered stacks of fabric and trying to assign quilt design/ideas to many of them.  Coming up very empty. Feeling antsy and disconnected as a result of all this time spent directing my time to strippy quilts and planning directions and demos for quilt meetings. It took several days of fondling fabric and rearranging the stacks, looking through the inspiration binders, Pinterest boards, and even the quilt top drawers! until I found my center again. What is it that I truly want to make? Am I doing that? Or am I just going through the motions? Why is it that I use so much cream/green/gray/brown whatever fabric and can never find a piece of fabric large enough for good background flow? Does everything have to have applique? Silly, silly questions like that.

If you know anything about me, it's that I LOVE making quilts. Passionately, scarily laser-like focused in on what's coming next. When I start questioning what it is I'm actually producing and if it's any good? Well... it can get a little hairy around here. Okay, quilty meltdown all over, crisis has been averted. Time to get quilting!

Staying Focused

It feels so good to check a couple more projects off of the open-ended projects list. Gives me just a little bit of breathing room for the brand new starts. 'Cuz there's always gonna be new projects here, there and maybe every where!

Once again, it's a finish!

It was a relatively quick finish for the Ormes Inspired quilt once I put my mind to it. Just had to grit my teeth and plow through the last little bit of hand work on the batik fabric lettering. After that, there was a very small amount of effort to sew the block back into the border. Once that was done, then it was super simple to sew the white tulip over the top of the 'I' and wallah! the whole thing was back to being a true blue finish. I am so much happier with the final result now,  than ever before. Love how the appliqued word makes it feel more special.

AHIQHourglass/Tulip quilt

The AHIQHourglass challenge quilt/#3 in the tulip series quilt top is finished up too. I am so amazed and happy with the overall vibe to this quilt! All the hourglass units were sewed together in sets of four and then chopped off willy nilly at the ends. This makes for less-than-perfect economy block {look} cornerstones at the sashing, but I don't see that detracting from this utility style, improv. quilt at all.

The full quilt

Using the raspberry pink background fabric really amped up the cozy, almost romantic look and feel to this quilt. That was a bit unexpected, but so much fun to just 'roll' with! As always, I tried to push with certain fabric combinations, trying for blendy prints as well as throwing in a few larger print fabrics too. My default ever seems to be for using 'safe' fabric combo's and I've tried and tried and tried to break that habit throughout the years. Quilts tend to have a much more interesting feel when the fabric group as a whole takes on a personality! When all the prints are exactly the same scale, then the vibe tends toward boring. At least in my opinion. You're welcome to feel differently! 

All the leaves are blue in better lighting....

This same scale thing is sometimes a very good idea in certain areas of a quilt. You can't deny that some places will benefit greatly from this application! It helps give off a uniformity of spirit that seems a bit more peppy than simply using 4 yards of the same exact fabric and of course, enables all of us 'use-up-the-stash' lovers to really excel. 

In this quilt, I used very similar prints for the sashing {with both the creams and the gray-browns}, thus giving more room to push on the value in the gray-browns. Would it have looked fine with all the gray-browns being the same exact value? I think so, but mixing them up helps {subtly} to bring energy and movement to the quilt. If there would have been larger contrast used in the scale of the sashing prints, then there would have been less movement throughout, and undoubtedly, a  much choppier look.

For the eye popping 'look at me' prints {go ahead, pretend with me here!}, I definitely focused in on the tulip shapes and the stems. With the stems, it was easy. The same fabric is on repeat for every single block, but feels more engaging than one solid or blendy-type fabric combined with this particular background. If they become a little less noteworthy and more mundane due to repeats, meh. You probably like more chaotic looking quilts than I prefer! 

In a quilt like this, every single tulip could have been a busy, cool looking print. Alas, that's not my quilt stash. So, then it's time to make-do. Basically, I just play with a stack of fabrics, trying to mix and match interesting prints with change-ups in the color and value of blander looking fabrics until I get to 20 magic fabric pairings--the number of blocks needed here. If I have to toss out fabrics here and there, then that's exactly what happens. 

It's pretty obvious what I did for the leaves, mixing up both the color value and the print scale. In every quilt, there are decisions that inform the next move or phase of a quilt. With scrappy quilts, most of us are never quite sure what we intend to do until we are actually doing it. Experience makes it far easier to find the right opportunities to change up scale or value or when it's probably best to rely on a similar look/feel fabric mixture.

This one might be hard to get rid of some day!

It was difficult to feel comfortable using the med. pink for the tulips, but in the end, I really had no choice. What is contrast really, but what you make it to be? They couldn't all be red, white or black, either and the lighter pink had to go somewhere! Plus, I adored the sassy sweetness of adding slightly lighter pink over the darker pink. After all the applique was stitched,  I even threw out one fairly interesting printed white fabric tulip and substituted one more pink fabric tulip. Just because. 

Did you notice the orange tulip clear up in the far left corner of the quilt? I like how it ties back in with the larger print pink and orange floral fabric down towards the bottom of the quilt. Sometimes it pays to echo a cuckoo color in some other area of the quilt and since I wanted to use that scrap of larger floral? Super easy decision even though a part of me, that left brain, 'don't be a crazy' side, wanted to scrap it all. When I say that it was easy, that's because experience has taught me the importance of taking these sorts of chance in order to make a true 'me' quilt. You would take an entirely different risk and achieve a much better outcome--for you!

Always have to add something that
fades into the background!

So yeah. Blah, blah, blah, blah. This is me telling you why I love and adore this particular quilt. Yes, it was an impulse make. Yes, I was trying to use up the hourglass units. The thing is, successful scrappy don't generally happen entirely by accident. I don't care what people tell you, throwing a big pile of fabric in a bag and grabbing whichever pops up next, rarely works out wonderfully! 

Loving this quilt!

In most cases, there needs to be a measure of controls set into place. The when, where and how? That is entirely up to you and YOUR vision. Try to make your color palette, print scale and values WORK, but don't work exceedingly hard making it happen. Does that make any sense? Have a little fun and take chances and gradually {so gradually you might not even notice at first},  you'll be going with whatever flow the quilt quite organically generates. 

Do you think I wasn't the teensiest bit concerned about sewing all the leaves in blue? My mantra through the years has basically distilled into this one pragmatic thought: If a set of fabrics look good together in a stack, then they'll look great together in a quilt. Just pick a spot for each color and make it happen! As you struggle through the process time and again, you'll naturally get better at sorting out the proportions and pesky {but quite specific} details that take it to the next level. 

Rhi's quilt

Okay, time to get off my soapbox. After last weeks improv. adventure, it seemed like an excellent time to tackle the rest of my daughters dress quilt. Scrappy, improv. coins sounded fun and quite a good distraction from all the hand work currently filling up my evenings.  

No need to overthink it!

Though green is actually a challenging color for me to use as a predominant color in a quilt, it was the only way forward for the next round of this quilt. Try as I might, the blue fabrics {that I really, really wanted to use}, look completely uninterested in happily responding. Too much black and white bumped the quilt up to formal looking, instead of 'charming' {not a suitable look for those sunflowers} and yellow made the celery green center look like puce. I was doomed. Green it was! Next round will bring the quilt up to a good lap quilt size and feature more of the large floral. Trying like mad to keep this one as uncomplicated as the quilt will allow!

Here a Little, There a Little...

This is kind of a catch-up post. There's been a lot going on at the home front which made it seem like I didn't have time to blog. Then I had too much to post about so it really felt like there wasn't proper time and well, yeah. Vicious cycle. 

Adhoc. Hourglass project about ready for takeoff

All the applique is finished up on the latest tulip blocks. They are trimmed as are the hourglass sashing units. Things are ready to roll in terms of layout if I could find available floor space. Should I just make an appointment? 

Next up for applique was the 'quick' word addition to Ormes Inspired. It is progressing at a very plodding rate. Who's idea was it to cut the letters out of Batik fabric? Huh? Such a difficult fabric to work with when doing needle-turn applique. The fabric is a very tough weave which always destroys my fingers at the point where I'm sewing the corners of letters. Trying to ram the needle through the extra layers is killer. And really, it's very slow overall because the needle doesn't properly glide through the weave like is optimum. You constantly have to make an effort, push, push, pushing which absolutely takes away from the enjoyable aspect of applique! As you can see, it is very close to being finished, but alas, I abandoned it once again in disgust and frustration. Bah! Beautiful fabric or no, this was a bad idea from the get-go. Please don't give me wonderful advice about using a thimble. I've tried. Believe me I've tried. Yes it saves my fingers a little tiny bit. But it's awkward and even more time consuming, not to mention extremely annoying. 

Getting there, slowly but surely....

No surprise that once again I sabotaged the get-through-the-ufo-list and jumped into a brand new project. So nonsensical {and unrealistic} to think I won't be running full speed ahead into something brand new when there is crushing mental fatigue from difficult projects.*wink  Plus, Sharon mentioned that she had 125!! ufo's so now I'm feeling pretty awesome about my own list! Finishing up the tulip blocks felt like a finish, okay? That's pretty much all the justification needed. This particular fabric has been sitting on the counters for wow, almost three years now? Not really sure, but whenever I think they are well past their inspiration prime, I get to feeling this little bit of longing to make another cheddar quilt. Okey dokey. The fabric has spoken.

The start of new project

One random night while I was casting about for something to chain piece {knowing I didn't have the mental fortitude to properly measure things}, this project struck my fancy. It's been the plan to use these cheddar and purple fabrics for an hst improv. medallion for a very long time. Ridiculously easy to dive right into free-cutting strips and then cross cutting them into little-ish squares. I really, really wanted to cut little bitty squares for the hsts but occasionally, even I know my limits!

Breaking it down into workable units

It was easy peasy and not at all scary to make sets of purple/cheddar squares and do the diagonal sewing, never marking a single thing. Isn't it wonderful to recognize our growth as a quilter? Improv. is so liberating when you could care less about the points or anything matching up. Every now and then for about a week I sewed sets, cut them in between the sew lines and then ironed them open. Occasionally I scissor cut the edges to make them more square, but not too much! When that part was accomplished, I just slapped them up on the wall, sometimes kind of fussily moving things around, but mostly just making rows and trying to find positive energy.

Trying to bring it all together

After I had about enough for the intended centerpiece {Oh yeah, did I tell you this was going to eventually be a medallion quilt?}, then I started sewing the hsts into 9-patch units or maybe 6-patch units if that seemed better and sometimes even a 12-patch unit. Whatever felt right. All the cheddar fabric used in the hsts was either a dark tone on tone or the brighter gold cheddar solid, keeping the background very cohesive. For the purposes of evening up the larger hst units, I deliberately introduced one busier cheddar print. Same color family, still ALL cheddar, but more tension. At first I used it quite a bit, then slowly realized that I didn't like the vibe of that print used in excess. You'll be hard pressed to see where, but I eventually went back and replaced that print in just a few areas with the original tone on tone cheddar. Balance. It's always comes down to that doesn't it?

Touching up the outside edges

I didn't mind the look of '9-patch' hsts, but I also wanted a couple areas to kind of flow into others. Fuss, fuss, fuss. Do I like this? Or that? How could I make this work? Also, I was trying to make sure the centerpiece didn't have an obvious seam directly down the middle. Ughh. Wouldn't that just look stupid? This is the part that stressed me out a little and where I had to take a lot more breaks. Eventually I got one large piece that seemed to lay relatively flat. Yay for curved piecing techniques! Though I'm not a pro, it definitely helps ease improv. blocks into submission when you don't want to tidy up {chop} every single unit as you're going along. 

At the outside edges, I simply added long strips here and there and then trimmed the whole to an approx. 30 inches. It was never going to be perfect with me at the helm. I could have easily added in more strips of hsts and then whacked them off {and in fact I diligently considered that}, but I rather thought the breathing space of more background fabric would be good. Yes, I did have to rip a seam out occasionally to add smaller pieces of fabric back into the original unit before sewing on a long strip. There are always details ready and willing to trip us up in our mad dash to the finish!

Making it square-ish

Overall I was pleased and happy and then abruptly, I wasn't. What was that curved thing on the bottom sticking out like a sore thumb? Part of me wanted to leave it be and just let it disappear into the larger quilt plan. The other part of me knew it would knaw away at me until I'd probably find myself ripping it out at a very inopportune moment. Been there done that doing that right now with Ormes Inspired! So... I fiddled around thinking I would have to re-work the entire bottom of the centerpiece, grumbling all the while. Then I remembered that there was just a couple leftover hsts that had been thrown out. Aha! Slapped them up on the wall, played a little with adjustment and wallah! Simple fix and it was done! More colors will be introduced moving forward, but for now, it's feeling pretty good! One thing I've unquestionably learned through the years about {me and} improv., is to take advantage of the mood. Finish it out to a good stopping place and then more easily pack it away for a short time.

Looking better!

As most of you know, I am still dedicated to hand quilting on this more traditional HST Medallion quilt. I'm sure it's quite obvious where I got the impetuous for making a much more free looking hst medallion quilt at this particular moment in time! hehe  All these tidy little rows are starting to drive me crazy!

Starting to see the light at the end of the tunnel

I have been pushing myself very hard with the quilting on this one, stitching for up to three hours many, many evenings. No need to wonder at all why improv. has been especially alluring to me at the moment! The need to rest my hands, my brain and probably my resolution too? I finally took a couple days off over this past weekend and didn't feel guilty at all. 

It's a big quilt....

I have two more corners of stitching and then all that remains will be the flying geese border on the far outside of the quilt. I have been boot, scoot and boogying right along! For that border, I will probably switch to my q-snap frame that is just as long as the current one, though only about 7 inches wide. No need to have this huge frame for such a narrow width of stitching. It's time to think about the next quilt top to go in the hoop, but all I can think is that it better be an easy one. It I have learned one thing with hand quilting this quilt, it's to always end the thread somewhere besides at the top corner of an hst! You don't even want to know how many pieces of thread that I've had snap off right at the knot....

Inspiration

Just for fun the other night, I had to pull another stack and bury myself in fabric love! I tell myself that you can never really have too many of these and then I realized, there are three stacks in these approximate colors! Ahem! I'm sensing a theme? Must pull them all out and compare, then ditch the less-worthy stacks. Gotta save room on the counters and in the little totes for plenty of variety!

I Think This is Called Momentum

I have a rather large list of opened ended UFO's at the moment. Imagine me wincing right now! It's definitely more than is normally allowed to happen around here, even with the typical do-what-feels-good-in-the-quilting-room attitude that generally reigns supreme here at Quilty Folk.

Moody 9-Patch is a completed quilt top!

As usual though, my brain keeps coming up with ever more interesting ideas to try. Yep, there are unquestionably gonna be new and improved quilts in my future! In this vein, I decided to dedicate myself to at least one more 'finish' here in the short term. Once a project is dumped onto the completed quilt top list, then the burgeoning sense of overwhelm seems to drastically reduce. People ask how I can have so many open ended projects going on, but the wholly, 100% finished quilt tops just don't have the same effect. All the major decision making struggle and angst is done and over with at that point! Right now, at least part of the problem with the too-long UFO list is this: I have a couple quilt tops that unexpectedly jumped OUT of the drawers and demanded more work done on them. So not playing fair! 

Loving the effect of the floral

In the spirit of crossing things off the list, the 9-patch seemed like an easy target. Like I've stated before, it was started in November of last year and then essentially forgotten about. In my memory, it was started in a rare moment of basically looking around the quilt room and wanting/needing to start something new. Now, sometimes {rarely} I'll go totally off the rails and just dive into something super spur of the moment and not very well thought out. Most times though when this particular feeling overtakes me, I look to the stacks of marinating fabric sitting around the quilt room. 

This is where I've spent countless hours pondering all kinds of fabulous to-me options. This is dream time. These fabrics have been pulled out numerous times in a period of months and years. Stacked and restacked. Fabrics and colors tossed or perhaps newly introduced? Ideas, patterns and design concepts distilled into an important nugget or two. What story does this specific blend of fabric want to tell?

Kind of a rich look to this one!

Like so many other projects started around here, Moody 9-patch ended up being an interpretation of an antique quilt. That probably sounds relatively simple. It can be, but this time it most certainly wasn't. I have played with this pile of fabric many, many times in the past couple years and just couldn't wrap my mind around which fabric should go where. I considered several different other design ideas too. No dice. No matter what direction my musings may have taken me on any particular day {and you can bet a few were vastly different than this oh-so-simple setting}, I would always come back this basic 9-patch with large sashing units. Apparently, that part HAD to be!

Simple but sweet

Most probably, it was the floral fabric holding me back. Though I love and adore them, {why else would I buy them?}, florals often times throw my brain into a tizzy of doubt and confusion. And I positively dread cutting into them. How do you successfully cut up and incorporate a strong floral into a quilt design without it completely overpowering everything? Or cutting it into without ruining the floral gorgeousness. Is it even going to look good cut into little squares etc.? And then, what if the floral turns out to be a huge mistake {the quilt wants a geometric print instead?}. You won't KNOW until the quilt top is near completion. What a disaster that would turn out to be! Ah, well. Eventually it's time to do something even if it turns out to be wrong. Gotta love those days of longing to start something new. They oftentimes turn out to be wonderful permission to plunge right into the thoughtfully, oh-so-carefully charted path of 'unknowns'!

Does this moody looking quilt top make you smile too? I'm sure you were wondering why I didn't just toss the floral fabric and do something easier. Well....., would I be sitting here smiling if it was just any old boring fabric used instead of that fantabulous print? Part of the thrill is meeting and conquering the challenge, whatever it may be. When intuition and instinct is telling us something needs to be done a certain, specific way, then it's our job to go the extra mile to make sure that it happens. We're not going to be happy with the end result if we know within ourselves that we've cut corners on what could have been.

Gonna be fun to hand quilt this one some day!

When cutting the floral strips, there ended up being a couple strips where the floral design aligned along the edge instead of being centered. Not having enough fabric to properly fussy cut, I determined to use these specific units along the outside edges of the quilt. Problem solved!

Overall, it was a great play with color, really stretching me. The floral fabric is actually a very deep, brownish purple fabric at base, but I didn't want a purple quilt, which is what I figured I'd get if I went too 'matchy-matchy'. Luckily I had enough yardage with four or five different fabrics to create the blue 'background' effect, something I hoped would accentuate the floral and kind of show it off. They tied in well with the blue flowers in the floral without being an exact color match. I like that. Too much perfection bores me to tears! 

One blue fabric was almost too dull to use, but I basically just held my nose and started cutting. Even after I dug through the stash totes, it was so much better than anything else, I felt like there was no other choice. It's amazing and wonderful how forgiving color/tones can be when you go 'scrappy'! 

In the case of the cornerstone squares, I deliberately used the lighter, but obviously more drab looking purples. Wowsers have these fabrics been difficult to find a good home for through the years! Those areas needed to be an obvious contrast without competing in any way with the floral, but still tie back in and transition well with the dark brown. The more 'brownish' of those drab purples tended to go to the outside edges of the quilt so as to not deliberately bring down the sparkle in the quilt. 

The horizontal sashing was actually harder to decide on because I absolutely didn't have what seemed like a best option. Not that I knew for sure what that might be! And so I dithered and dithered until finally going with that very dark brown fabric. It's almost purple, it's so deeply brown. Truly, I thought that particular area of the sashing needed to be a medium tone but Meh! What do I know? lol  Make the call and just move on is generally how I roll these days. Seriously, what would be the point of trying to use up these languishing stash prints and then run to the quilt store for a flawless fabric match in yet another area of the quilt? I'm not saying I'll never, ever do that, but I'm generally gonna try everything else possible first!

4 Blocks on the wall

Another project that I'm trying to work on a little every day or so is these tulips blocks. Which didn't start with these applique blocks, but rather the abandoned bits from another tulip quilt! Of course. Are you surprised? So many of my projects start with little seeds from another quilt and then spill into each other willy nilly until I end up with a series of ideas! 

Auditioning the hourglass units

So... the little hourglass units were the actual 'start' of the previous tulip quilt, an AHIQ prompt and now this one too. Somehow I had cut them out the wrong size and rather than fixing them or starting new, I promptly ditched the idea altogether and went in a totally different direction. Which was fine except for the fact of  all these little hourglass units wasting away!

Looking better with more blocks

Uh huh. Can't have that. And why not have another tulip quilt? It's been very, very tedious sewing up all these hourglass units and I can only handle so much before moving on to another project. Finally I'm at the point where all 196 units are sewn together, points trimmed off and ready to go. Honestly, I've worked on them off and on for weeks!

Do I even need more blocks?

Just need these tulip blocks finished up and it'll be on to the sewing up rows phase. At first, I wasn't at all sure about the leaves. My parents are both gardeners, as are a couple siblings and even my daughter. Tulip quilts have these wide, flowy leaves that never ever show up in quilts for some reason. For this particular quilt I wanted to at least make a nod to the reality of nature! Four blocks in made me frown, then six blocks in I was cocking my head over to the side saying 'maybe' and now at nine blocks on the wall, I'm finally sold on the idea.*whew!  Okay. This will do. Onward ho! And I'm also settling in to the idea of having the hourglass units join together with the brown square in the middle. Things are progressing. What more can we ask for?